€249.00
Why close the sound in Left and Right when it can space in a three-dimensional world? The potentials of the 3D (and 8D) Space Mix in Music, Videogames and Cinematography are almost unlimited, not being constrained by restrictive parameters of stereo mixing. Positioning and moving an instrument or a sound in a 3D environment makes the music live in the true sense of the word. Binaural mixing techniques allow the positioning of each instrument and sound that composes the piece within a 3D acoustic space built ad hoc and usable with normal hi-fi headphones or stereo monitors.
Spatialization and 3D mixing allows you to perceive the sound in the four directions that the human ear recognizes at the top, bottom, front or back of our head that constantly remains the main final listening point. Thanks to Texture Materials, it is possible to build “sound rooms” ad hoc and with specific refractions and materials such as wood, marble, glass or other material, or mix them together, creating a well-defined acoustic space that is perfectly recognizable by the human ear. If we consider that every instrument, or sound, can be moved in the environment while it is playing, we can understand the infinite possibilities that Binaural 3D Mixing can give. Here is an example of partial processing in Binaural 3D Mixing on an Electro / Pop / Ambient piece
LINK 1: https://soundcloud.com/emmanuele-landini/double-doors-feat-nila-the-man
LINK 2: https://www.youtube.com/watch?v=itLxXeyM2aM
Why close the sound in Left and Right when it can space in a three-dimensional world? The potentials of the 3D (and 8D) Space Mix in Music, Videogames and Cinematography are almost unlimited, not being constrained by restrictive parameters of stereo mixing. Positioning and moving an instrument or a sound in a 3D environment makes the music live in the true sense of the word.
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